With the help of literary devices, the writers directly or indirectly project their main ideas. Literary devices work as tools for writers to use to enrich their texts. Analysis of Literary Devices in Ozymandias It shows the keen observation of the traveler on the one hand and the artistic skills of a sculptor on the other. The name indicates the readers to look at the massive statue of the mighty king, but the ruined state means that nothing remains after one’s death, even if he is a king. The lifeless statue has the name Ozymandias, the kings of kings, on its pedestal. He also explains the expressions of the statue, such as the “frown” and “sneer of cold command,” which indicates that the sculptor has made the statue speak for itself. The traveler expresses that the statue was broken two legs were standing without a body, and the head was half sunk in the sand. Major Themes: The poem comprises the emotions of a traveler who imagines the story of the ruins of a statue in a desert. However, what stays in the minds of the readers is the impact of the transience of life and the permanence of art. The expression of wonder starts in the first line and runs throughout the poem. The poem explores the fun of art and beauty in the natural world. Ozymandias as a Representative of Art and Culture: As this poem is written about a ruined statue, it presents the perspective of a young traveler who provides a detailed description of the scattered ruins of the statue. Ozymandias is the Greek name of the Egyptian pharaoh Ramesses II who ruled around 1300 B.C, and his statue is said to be the main inspiration of the poem. The poem was composed to show the fragility of life and fame and to remind us that nothing lasts forever. It was published in the June 11, 1818, issue of The Examiner in London. Popularity: Ozymandias, a sonnet written by Percy Bysshe Shelley, a famous romantic poet, is a timeless masterpiece among poetries. This is what these lines contribute to the main idea of the poem. The great stretch of the sand in the desert, besides this colossal wreckage of his statue, shows the permanence of time and art as compared to the impermanence or transient nature of power and dictatorship. The writing shows his haughtiness as well as expressions, but its importance subsides beside the situation of the remnants of that statue. However, nothing stays permanent except the art and what it depicts through the work of that artist. The inscription shows he has achieved miracles through his might. These lines show the words that he used to be a king of kinds, Ozymandias. Shelley presents the speaker again in these verses to show what is written on this piece of art is depicting the furious feelings and impressions of the dictator on his face despite its dilapidated condition. The lone and level sands stretch far away.” Of that colossal Wreck, boundless and bare Look on my Works, ye Mighty, and despair! This stanza shows half of the theme of the main idea of the poem, which is tyranny, its transient nature, and its depiction in art. Although the intention of the sculptor seemed to have mocked the expression, it shows that the heart and feelings imprinted on that statue demonstrated the reality of those times. It also showed that the person who created that statute perfectly understood the facial expressions of that person and created them through the stone. The traveler further stated that the facial expressions of the statue demonstrated his frown and anger as if he was sneering haughtily. However, he found his broken face near the statue half buried in the sand of that desert, he told him. The poet states the traveler was coming from some ancient land who told him that he once found a statue in some desert standing upright but without a torso. He narrates the story of that traveler in his verses. Shelley presents a speaker who met a traveler. The hand that mocked them, and the heart that fed Which yet survive, stamped on these lifeless things, Tell that its sculptor well those passions read Half sunk a shattered visage lies, whose frown,Īnd wrinkled lip, and sneer of cold command, Who said-“Two vast and trunkless legs of stone
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